Joyce
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Seduction lies with the annulment of the signs, of their meaning, with their pure appearance. Eyes that seduce have no meaning, their meaning being exhausted in the gaze, as a face with makeup is exhausted in its appearance, in the formal rigor of a senseless labor. Above all, seduction supposes not a signified desire, but the beauty of an artifice. (Baudrillard, 1991: 76)