"If there is to be a revival of the photograph as an artistic object, and not just as an evidential or commercial object, it will come through work that pushes the form and questions the elemental yet integral components of image making. We still want to believe photographs show us something about the world, the flattening of an environment into a two-dimensional plane that confers to our eyes a scene that somewhere must have existed. But photographic techniques have always rendered photos irreducibly subjective. Their art lies elsewhere."